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From the New York Times bestselling author of The Black Prism...

Gavin Guile is dying.

He'd thought he had five years left--now he has less than one. With fifty thousand refugees, a bastard son, and an ex-fianc�e who may have learned his darkest secret, Gavin has problems on every side. All magic in the world is running wild and threatens to destroy the Seven Satrapies. Worst of all, the old gods are being reborn, and their army of color wights is unstoppable. The only salvation may be the brother whose freedom and life Gavin stole sixteen years ago.

Lightbringer
The Black Prism
The Blinding Knife
The Broken Eye
The Blood Mirror

For more from Brent Weeks, check out:
Night Angel
The Way of Shadows
Shadow's Edge
Beyond the Shadows

Night Angel: The Complete Trilogy (omnibus)
Perfect Shadow: A Night Angel Novella (e-only)
The Way of Shadows: The Graphic Novel

• Sales Rank: #9349 in Books
• Brand: Brand: Orbit
• Published on: 2013-08-27
• Released on: 2013-08-27
• Original language: English
• Number of items: 1
• Dimensions: 8.40" h x 2.00" w x 5.50" l, 1.35 pounds
• Binding: Paperback
• 704 pages

Features

• Used Book in Good Condition

Review
"Brent Weeks is so good it's starting to tick me off."―Peter V. Brett, New York Times bestselling author of The Desert Spear

"The Blinding Knife by Brent Weeks was even better than The Black Prism (and that's saying something!)"―B&N.com

"One of the best epic fantasies I've ever read."―Staffer's Book Review on The Blinding Knife

"The Blinding Knife is a wonderful work of high fantasy with engaging characters facing the perfect antagonists, set in a creatively-wrought and increasingly chaotic world brimful of imaginative magic and interesting politics. Weeks holds fast to the traditions of his genre while adding a compelling new flavor."―The Ranting Dragon

"One of the best Fantasy books of 2012."―A Dribble of Ink on The Blinding Knife

"...A solid, entertaining yarn."―The Onion A.V. Club on The Black Prism

"Weeks has written an epic fantasy unlike any of its contemporaries. It is a truly visionary and original work, and has set the bar high for others in its subgenre."―graspingforthewind.com

"Weeks manages to ring new tunes on...old bells, letting a deep background slowly reveal its secrets and presenting his characters in a realistically flawed and human way."―Publishers Weekly on The Black Prism

About the Author
Brent Weeks was born and raised in Montana. He wrote on bar napkins and lesson plans before landing his dream job years and thousands of pages later. Brent lives in Oregon with his wife, Kristi, and their daughters. Find out more about the author at www.brentweeks.com or on twitter @brentweeks.

Most helpful customer reviews

2 of 2 people found the following review helpful.
enjoyed this; picked up more towards the end
By Sneaky Burrito
I read The Black Prism right after it was released and then I didn't get around to this book until a week or so ago. I remembered details about three characters (Kip, Gavin, and Dazen) and a little about luxin and drafting (the magic system in this series, if you haven't read the first one), and that was it. So I spent like the first 1/3 trying to play catch up. And you know? I still found this pretty enjoyable. I would still strongly suggest starting with book one, though, because there is a lot of background information (some of which I managed to retain).

There are a couple of different main POV characters and some short scenes from other perspectives. I'm a little embarrassed to admit how long it took me to understand the significance of the short scenes -- midway through book three! But they *are* important and they do relate to the overall narrative, so pay attention to them.

Gavin is one of the POV characters and he starts the book with a bunch of refugees for whom he's trying to find a home. He then goes around looking for something in the ocean (don't want to spoil anything, so I won't say what he's looking for). As you might expect, it's difficult to find one thing in a big ocean, and the search part drags (though Gavin's part picks up in interest and intensity after the search is over). He's also dealing with some rather large personal problems/secrets that hamper his various efforts.

Kip is another POV character. Gavin has insisted Kip go through Blackguard training (Blackguards are elite guards for the Prism -- Gavin, in this case -- and other members of the Chromeria, the ruling body of the Seven Satrapies). Kip, as you will recall, is overweight and out of shape and from a backwater area. On one hand, it's a rather traditional and trope-ish fantasy training school storyline, but there are a number of interesting side matters and Kip is easy to root for. He still likes to make wisecracks but he's not quite as funny as in the first book (when I remember laughing out loud several times). Kip's parts were my favorites, though.

Teia, a slave in Blackguard training, is a third POV character. She's partnered with Kip, but she has her own issues. She's constantly fearful for her position because of her slave status (slaves who pass the Blackguard trials are freed and their masters are paid large amounts of money). And she's interesting in that she can draft paryl, which I think is Brent Weeks's word for X-rays.

Liv was a friend of Kip's from the first book and she was taken captive by someone calling himself the Color Prince. He objects to the Chromeria's way of running things and is warring against them. Liv's scenes are the only ones where we see inside the Color Prince's camp.

One thing I will say about this book is that Weeks does a very good job pitting the sides against each other. He makes the characters supporting the Chromeria sympathetic (OK, maybe not Andross Guile, who is Kip's grandfather and Gavin's father). But Karris (another Blackguard), Commander Ironfist of the Blackguard, the White (another leader in the Chromeria), and Kip and his fellow trainees (at least the ones he is friendly with) are all good people.

But the Color Prince has some issues with the way the Chromeria does things (like the fact that slavery is allowed in the Seven Satrapies, and what happens with people who draft luxin "too often"), and he has a good point, as well. We sympathize with him less because we spend less time with him. But I think the confrontation in book four (due out next year) should be quite good.

I'm finally starting to be able to keep the different colors of luxin straight in this book. If I went back, I'd probably start to notice a lot of repetition (superviolet drafters are logical, etc.). But hey, it worked.

Overall, I liked the characters, some aspects of the plot were great even though they incorporated tropes, pacing got better as the book went on, and I am really starting to get immersed in the world of this book -- I went straight on to The Broken Eye (book three). This did end on a double cliffhanger, though, which was a little irritating. Definitely a fun series to pick up, though, and an improvement over Weeks's earlier series (the Night Angel trilogy).

7 of 7 people found the following review helpful.
Worth the wait....
By Linda Wilkinson
Generally, I hate waiting a year or more for the next book in a series. Often it isn't worth the wait and I'm disappointed.

Not so with this one. I really don't want to give anything away; you need to read it. But I will say that having a main character that isn't the epitome of manly magic or sword-wielding perfection is refreshing and downright interesting. And I admire the skill of an author that can pull that off without making ..um...Breaker... appear pitiful. I was completely engrossed and didn't put the book down until I reluctantly read the last page.

And I have a few pithy words for Mr. Weeks in regards to those last pages. You're going to make me wait another interminable year for the next book, aren't you? I can't think of any words bad enough to express my feelings.

All I can say is "Quite the Ending". Only a Person Completely Steeped in Evil would leave us all hanging that way, so in spite of the monumental talent of Mr. Weeks, I have no choice but to assume he probably pulls the wings off of flies, considers golf a sport, and kicks puppies in his spare time.

I'm just sayin'....

1 of 1 people found the following review helpful.
Enjoyable But Also Frustrating
By K.M. Weiland, Author of Historical and Speculative Fiction
In my humble opinion, Brent Weeks is the MASTER of epic. He is better than any other author I know at creating larger-than-life heroes, who are charismatic as heck and still tremendously flawed and compelling people. He's also fantastic at coming up with fantasy worlds full of potential and then taking advantage of every little opportunity to exploit that potential.

I was looking forward to this book (a little fanatically, truth be told) ever since reading the first one last summer. I enjoyed every minute of reading it and couldn't stop thinking about it while I was away from it.

So why not five stars?

Much as I enjoyed this outing, I was also increasingly frustrated by it. For all that there's all kinds of *stuff* happening on ever page, not much that's plot-worthy actually *happens.* The characters do big and impressive things - sometimes shockingly awful things - and yet there are never any consequences and sometimes not even reactions from the other characters. I almost feel like, with a few exceptions, this entire book could have been skipped on the way to what (I trust) is the real meat of the plot and action in the next book.

Oh, and Kip. This is as much personal druthers as anything, but I did grow weary of Kip's POV. Aside from the fact that Gavin is always going to be more interesting, Kip's constant self-pity and self-deprecation grows tedious. I won't be at all sorry when he grows a backbone and *realizes* he's grown a backbone.

None of which isn't to say I still don't love Brent Weeks. He remains da bomb.

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[J797.Ebook] Get Free Ebook Norman Mailer/Bert Stern: Marilyn Monroe, by Norman Mailer

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Three legends: Monroe by Mailer and Stern TASCHEN has paired Mailer s original text (his 1973 biographyMarilyn) with Bert Stern s extraordinary photographs widely considered the most intimate ever taken of Monroe to create a fitting tribute to the woman who, at the time of her death in 1962, was the world s most famous, a symbol of glamour and eroticism for an entire generation. But though she was feted and adored by her public, her private life was that of a little girl lost, desperate to find love and security.Mailer s Marilyn is beautiful, tragic, and complex. As Mailer reflects upon her life from her bleak childhood through to the mysterious circumstances of her death she emerges as a symbol of the bizarre decade during which she reigned as Hollywood s greatest female star.This book, conceived by Lawrence Schiller, Mailer s collaborator on five works, combines the author s masterful text with Stern s penetrating images of the 36-year-old Marilyn.Photographed forVoguemagazine over three days at the Bel-Air Hotel, Marilyn had never allowed such unfettered access, nor had she looked so breathtakingly beautiful.Six weeks later, mysteriously, she was dead. In this bold synthesis of literary classic and legendary portrait sitting, Mailer and Stern lift the veils of confusion surrounding Monroe the woman, the star, the sex symbol and offer profound insight into an iconic figure whose true personality remains an enigma even today. Translationsof Mailer s text are available in German (the translation dates from 1992) andnow for the first time in Spanish and French Limited to a total of 1,962 numbered copiessigned by Bert Stern, this book is available as Collector s Edition (No. 251-1,962), and also in two Art Editions of 125 copies each (No. 1-250). "

• Sales Rank: #5540403 in Books
• Published on: 2011-12-14
• Format: Deluxe Edition
• Original language: English
• Number of items: 1
• Dimensions: 5.50" h x 19.00" w x 22.00" l, 18.10 pounds
• Binding: Hardcover
• 278 pages

Review
"This book is really two books. It is a biography, and it is also a pictorial retrospective of an actress whose greatest love affair was conceivably with the camera." (Norman Mailer wrote these words in his 1973 biography, Marilyn.)"

About the Author

The author:
Norman Mailer (1923-2007) was one of the 20th century's greatest and most influential writers, as well as one of America's most renowned and controversial literary figures. The best-selling author of a dozen novels and 20 works of nonfiction, he also wrote stage plays, screenplays, television miniseries, hundreds of essays, two books of poetry, and a collection of short stories. A two-time Pulitzer Prize winner, he lived in Brooklyn, New York, and Provincetown, Massachusetts.
The photographer:
Bert Stern (b. 1929) is one of America's greatest portrait photographers, who during the 1960s produced 200 pages annually for "Vogue," as well as many of the most important print and television advertising campaigns. He is best known for his revolutionary print ads for Smirnoff and his portrait sitting with Marilyn Monroe just six weeks before her death. Stern lives and works in New York City.

Most helpful customer reviews

12 of 12 people found the following review helpful.
forget mailer, it's the bert stern photographs that make this great
By RLA
I never did care much for the mailer's written bio; I loved the photos (by various photographers) from the first edition. I was always captivated by the Stern photos. Now this edition has been updated so that it's only stern photos. The photos are full page photos both in black and white and color nicely reproduced. Many of the fashion shots that you don't always see, and some colors as well. The size of the book is huge!!! much larger (and heavier) than the original edition. It it really a photo book printed on heavy paper (the photos will appear to be matte rather than glossy finish). It's true you can get all his photos in the complete last sitting (expensive) but some of these photos were small photos. It's also true many have been published in magazines, but do you want to have abut 50 magazines to look thru (and think of the thinness of the paper)? At a substantial discount on Amazon I was very happy to have this edition along with the original edition. As I said, it's for the photos!!!!

7 of 7 people found the following review helpful.
Mailer & Stern's Marilyn
By Louis K. Liebig
The beauty of this book is the Stern photos and quotes by Marilyn. I've never been a Mailer fan and his rambling here does nothing to win me over. Stern's photos featured in the book have been published in other formats like the German Mag "Fotografie" No. 49. Explore other publications and compare before you make a purchase.

3 of 3 people found the following review helpful.
Amazing!
By RuthA.
This book should be a part of any Marilyn Monroe fan's collection. The pictures are breathtaking and the accounts from the photography are very interesting. You have to have this in your Marilyn collection!

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[L376.Ebook] Fee Download Handbook of Workplace Spirituality and Organizational Performance, by Robert A Giacalone, Carole L. Jurkiewicz

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An explanation of how and why the economic downturn of 2007 became the Great Recession of 2008 and 2009. It explores the root causes of the cycle of boom and bust of the economy. It describes social equity in terms of its arguments and claims in political, economic, and social circumstances.

• Sales Rank: #779200 in Books
• Published on: 2010-11-17
• Original language: English
• Number of items: 1
• Dimensions: 9.80" h x .90" w x 6.90" l, 1.40 pounds
• Binding: Paperback
• 352 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Olusegun Odesina
Excellent!

1 of 1 people found the following review helpful.
Five Stars
By Kanthil
Exactly was I was looking for!

0 of 0 people found the following review helpful.
Overall good but quite dry
By GrawlHal
The amount and quality of research collected here is top notch. However, I found it quite boring. There was nothing that really piqued my interest. More of an academic resource rather than an informational read.

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Schaum's Outline of Theory and Problems of Structural Analysis With an Introduction to Transport, Flexibility and Stiffness Matrices and Their Applic.

• Sales Rank: #1150110 in Books
• Published on: 1969-01
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 8.50" w x .50" l,
• Binding: Paperback
• 304 pages

Most helpful customer reviews

1 of 2 people found the following review helpful.
If you need to cram for an exam, don't buy this!?
By Roger Bagula
I got this book used from a friend : he said it was no use to him.
I read it and even with a broad background in acoustics,
systems dynamics, physics and mathematics, I could barely make head or tails of it.
Stuff like curvature and matrices are universal, but what this lacks is
explanation that to comprehensible to a new comer.
Since I used the physics Schaum's outline to get me through college physics when
the Feynman text was the "new" physics
and my professors were just jolly bad,
I say this to help not harm.
If Schaum's company wants to help:
assign a new guy to write a better outline!
If your text is bad and your teacher is bad
and the teaching assistants are clueless,
this book won't help you.

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[E401.Ebook] Free PDF The Best Of Al Clouston, by Al Clouston

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Newfoundland is not like any other province of Canada. It has the oldest history, the richest music and folklore . . . and the most relaxed lifestyle, bo of a colourful and romantic cultural heritage. But above all there is the famous sense of humour. Newfoundlanders have the divine gift of being able to laugh at their troubles, at their triumphs, and at themselves. The stories and quips in this book are not the transplanted ethnic slurs known as Newfie Jokes. This collection is vintage Newfoundland humour. It is also vintage Al Clouston.

• Sales Rank: #8188775 in Books
• Published on: 1980-01-01
• Original language: English
• Number of items: 1
• Dimensions: 7.00" h x 14.00" w x 5.00" l,
• Binding: Paperback
• 104 pages

About the Author
Al Clouston was born in St. John's, Newfoundland. His fifty years in business life and traveling about the island gave him ample opportunity to collect and retell the wealth of folklore humour there is throughout our island.

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[S155.Ebook] Get Free Ebook Producing with Passion: Making Films That Change the World, by Dorothy Fadiman, Tony Levelle

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Documentary filmmaker Fadiman chronicles her more than 30 years of experience searching out practical approaches to get her productions funded, finished, and seen, balancing inspiration and commitment with financing, shooting, editing, and promotion.

• Sales Rank: #217732 in Books
• Brand: Brand: Michael Wiese Productions
• Model: 3804365
• Published on: 2008-06-01
• Original language: English
• Number of items: 1
• Dimensions: 8.92" h x .66" w x 6.08" l, 1.00 pounds
• Binding: Paperback
• 266 pages

Features

• Used Book in Good Condition

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17 of 18 people found the following review helpful.
Find your passion as a documentary filmmaker...
By Kari Ann Morgan
In Producing with Passion, Fadiman & Levelle guide the reader through the sometimes unpredictable, ultimately rewarding world of documentary filmmaking. From doing research & conducting interviews to finding the "real" story you're trying to tell, it's all here.

In and of themselves, the chapters are well laid-out, with an overview at the beginning of each one, and summarizing key points at the end. At the beginning of the book, Chapters 1-4 follow a logical progression; but topics in chs 4-8 seem to repeat themselves and/or show up in an odd order. For my suggestion, the chapters would flow better from one topic to another if they were placed in the following order: Ch. 2 (focusing your topic), Ch. 3 (research), Ch. 5 (how to plan an unscripted documentary), Ch. 6 (putting together a proposal), Ch. 7 (ways to get funding), Ch. 4 (assembling a support team), and Ch. 8 (your "core group").

The amount of information in this book is insightful & incredibly helpful. The authors go into great detail when explaining the purpose of proposals, treatments, and core/interest groups. They also give excellent ideas, references, & suggestions for how to do effective research, draft a proposal, attract funding, & much more. Because this is a book on how to make a documentary (and not a feature film), there is not a lot of technical information beyond the basics: lighting, audio, camera shots, editing, etc. The info on these topics is sufficient for what you'll need when making a documentary.

One of the most valuable things in this book, however, is the voice of experience that has come with making dozens of documentaries over the years. This experience is evident throughout the entire book: how to assemble a production team that you can really work with; how to conduct interviews that advance the story you're trying to tell; how to shoot in the field, in different locations; how to make sure you have the right documentation, especially if you're filming overseas (a very important, but tricky process!); and how to assemble and edit your footage so that your true story comes out. All of these are valuable things, learned from experience and trial-and-error.

While I was reading this book, I found that I was catching the authors' excitement as they talked about the places they'd gone & the different things they'd discovered along the way. If you are an aspiring documentary filmmaker, this book is a resource you'll find helpful with each film you make. The amount you can learn from the authors' experiences make this book one that you can read repeatedly and gain new insight each time. At just under $23, this book is an excellent value, for the amount of information and insight it provides.

Final Score- 8.4/10
-Kari Ann Morgan, Microfilmmaker Magazine

4 of 4 people found the following review helpful.
An excellent practical guide
By Curt Rosengren
Want to turn your passion into a documentary film? Producing with Passion gives you an excellent road map. It offers a well-organized, easily accessible, nuts-and-bolts approach to creating, building support for, and promoting your documentary.

In a nutshell, the book is packed with insights and ideas about how to actually get it done. There is a chapter in the beginning about figuring out what kind of topics you're most passionate about, but the real value in this book is the practical, logistical, rubber-meeting-the-road advice.

My work is focused on helping people tap into passion and meaning to amp up the energy, clarity and focus in their career. Producing with Passion is a no-brainer for me to recommend to any clients who might see documentary-making as one of the tools in their change-making toolkits.

One of the big obstacles to pursuing one's passion is not understanding how to go about it. "I want to do this, but where do I start? How do I do it? What do I need to understand to make it successful? What are the pitfalls?" This book answers all those questions, and many more.

Curt Rosengren
Founder, Passion Catalyst
passioncatalyst.com

0 of 0 people found the following review helpful.
Covers All the Bases!
By Mary Trainor-Brigham
This book has humanity, clarity, scope and vision. It is all too rare to have such seasoned professionals able to descretely break down the production process for everyone from a novice to an ace. Imagine a competitive mountain-bike athlete taking the time to kindly hunker down and adjust your training wheels before they sail on with fabulous grace to their own "personal best" finish line.

Producing With Passion maintains awareness of the prismatic process of documentary filmmaking, how thoroughly absorbing and demanding it is, and thus also how potentially rewarding. The metronomic arc of description tic-tocs back and forth from the pragmatic to the inspirational, the nuts & bolts to the social, the conflictual to the celebratory, the intellectual to the emotional, the visionary to the economic. How to stay aligned to purpose throughout all these delicious and/or demanding, unending onslaughts? The answers are here.

While reading this book, and wishing it had been available when I first worked in documentary films as writer, still photographer and co-editor, I was pleased to imagine countless others not having to re-invent the wheel, thanks to Fadiman and LaVelle's considerable expertise and generous encouragement.

I also flashed onto something director John Sayles said about how he survived some of the rougher patches of producing his fabulous feature, MATEWAN:
He and his cast and crew would take out a recording of "Beautiful Hills of Galilee," sung by West Virginia coal country native, Hazel Dickens, and be reminded by sheer dint of the song's raw authenticity why they must continue.

Similarly, I can imagine many a docu filmmaker reaching for their well-thumbed copy of Producing with Passion when they need to rekindle faith in their project, their intuition, and that heart-felt urge to continue.

Mary Trainor-Brigham is the author of DEEP CINEMA Film as Shamanic Initiation,
Publication date Autumn 2008.

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