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It's 1939. The Nazis have supermen, the British have demons, and one perfectly normal man gets caught in between.
Raybould Marsh is a British secret agent in the early days of the Second World War, haunted by something strange he saw on a mission during the Spanish Civil War: a German woman with wires going into her head who looked at him as if she knew him.
When the Nazis start running missions with people who have unnatural abilities―a woman who can turn invisible, a man who can walk through walls, and the woman Marsh saw in Spain who can use her knowledge of the future to twist the present―Marsh is the man who has to face them. He rallies the secret warlocks of Britain to hold the impending invasion at bay. But magic always exacts a price. Eventually, the sacrifice necessary to defeat the enemy will be as terrible as outright loss would be.
Alan Furst meets Alan Moore in the opening of an epic of supernatural alternate history, Bitter Seeds by Ian Tregillis is a tale of a twentieth century like ours and also profoundly different.
- Sales Rank: #469795 in Books
- Brand: Brand: Tor Books
- Published on: 2012-04-24
- Released on: 2012-04-24
- Original language: English
- Number of items: 1
- Dimensions: 6.87" h x 1.31" w x 4.21" l,
- Binding: Mass Market Paperback
- 416 pages
- Used Book in Good Condition
From Publishers Weekly
Debut novelist Tregillis breathes new life into alternate military history with this fun take on WWII. In this version of 1939 Germany, the insane Dr. von Westarp has given WWI orphans superpowers, such as fire-starting, intangibility, and invisibility. As they use their abilities to aid German expansion, young mutant Klaus starts to suspect that he and the other soldiers are being manipulated by his precognitive sister, Gretel. Meanwhile, British secret agent Raybould Marsh recruits his old college buddy, magic-wielding aristocrat Will Beauclerk, to the British cause. Tregillis has trouble fleshing out characters and is overly fond of worn-out plot devices—a disastrous raid survived only by the protagonists, an urchin destined for greatness—but the action sequences are exciting and intense, and the clash of magic and (mad) science meshes perfectly with the tumultuous setting. (Apr.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
In the Spanish Civil War, British secret agent Raybould Marsh thinks he saw a German woman with wires growing out of her head. Once WWII erupts, he learns that his eyes weren’t fooling him. The Germans have developed various kinds of real live supermen, such as the wired-up lady, with the ability to foretell and influence the future. The British have their own, equally secret occult arsenal, including warlocks to conjure “friendly” demons and fight the other kind. A member of the Wild Cards group, Tregillis begins a saga in his first novel, one that may rival Naomi Novik’s Tales of Temeraire as a sustained historical fantasy. --Roland Green
Review
“A major talent.” ―George R. R. Martin
“Exciting and intense… The clash of magic and (mad) science meshes perfectly with the tumultuous setting.” ―Publishers Weekly
“A white-knuckle plot, beautiful descriptions, and complex characters--an unstoppable Vickers of a novel.” ―Cory Doctorow
“Bitter Seeds may rival Naomi Novik's Tales of Temeraire as a sustained historical fantasy.” ―Booklist
Most helpful customer reviews
22 of 23 people found the following review helpful.
Wonderfully complex
By Susan Loyal
Ian Tregillis' stunning debut novel, Bitter Seeds, escapes categories and defies description. It's an alternate history of World War II, in which the Germans truly develop "supermen," battery-powered, and in which the beleaguered British secretly call on malevolent powers beyond our space/time to defend their island, paying in blood. Tregillis bases his fantastic elements so thoroughly in philosophical, scientific, and occult preoccupations from the mid-20th century, however, that the novel reads almost like mainstream historical fiction. The echoing footsteps in the halls of the Admiralty after the blackout curtains have been drawn might almost be sounding in C.P. Snow's Strangers and Brothers novels. Indeed, the escalating cost of defending Britain, though expressed as dark fantasy, resonates strongly of the desperate race to develop a nuclear bomb that Snow recounts in his novel The New Men.The New Men (Strangers and Brothers)
Our primary viewpoint characters are Klaus, proud of his successful engineering as a superman but increasingly haunted by the process, and Raybould Marsh, an intelligence officer who would have preferred to be in an Alan Furst novel. As Marsh begins to grasp how much the Gotterelektrongruppe changes the nature of the war, he turns to William Beauclerk, whose grandfather taught him a secret language that allows negotiation with the Eidolon--a language Will would much rather forget. The internal conflicts that drive the main characters make them complex and interesting. Additionally, both Klaus and Marsh come to realize that they are being manipulated by Klaus' precognitive sister, Gretel, who has her own enigmatic agenda.
The plot runs like an advanced-level ski slope with perfect snow, and the novel can be thoroughly enjoyed just at that level. We are left in the end with a question that drives deeper, however. When you have done the unbearable to keep others from doing the unthinkable, who have you become?
Bitter Seeds is the first volume of the Milkweed Triptych. I strongly recommend it and eagerly await volume two, The Coldest War.
33 of 37 people found the following review helpful.
A flawed but ultimately likeable debut
By A. Whitehead
1939. In the closing weeks of the Spanish Civil War, British intelligence agent Raybould Marsh is dispatched to meet an informant who claims to have vital information about some of Nazi Germany's top-secret weapons being field-tested in the conflict. The informant explodes in front of Marsh with no apparent cause. As the clock ticks down to war between Britain and Germany, it is discovered that Germany has developed technology that can turn certain, gifted individuals into super-beings, people who can turn invisible, manipulate fire or even predict the future.
Britain's fortunes in the war turn sour as the Germans seem to be constantly one step ahead of them, destroying the transports carrying out the evacuation of Dunkirk and striking down the radar towers that will be needed to protect the country from Luftwaffe bombing. But Britain is not completely unprotected, and the newly-formed Milkweed organisation has resources to call upon which dwarf even the powers of the German ubermensch. But these powers are not to be summoned lightly...
Bitter Seeds is Ian Tregillis' debut novel and is a brash, refreshing alt-history which sees Nazi superhumans and British warlocks battling to the death during WWII. It's a cool premise, generally well-handled with a large and complex story being effectively told through a small number of POV characters on both sides. However, if the story sounds too big to be contained within a single volume, you would be right. In an increasingly annoying trend in modern SFF publishing, Bitter Seeds is the first novel in a trilogy (dubbed The Milkweed Triptych) despite this fact not being mentioned anywhere on the cover or inside the book. The story doesn't come to an end or really any kind of conclusion, just screeches to a halt 350 pages in with a number of stories broken off mid-flow. The follow-up volumes will be entitled The Coldest War and Necessary Evil.
That out the way, Bitter Seeds works successfully on a number of levels. Characters are drawn pretty well, with British secret agent Raybould Marsh being an effective central character, driven by passion and rage, whilst his amateur magician friend, Will Beauclerk, makes a good foil for him. Will's story assumes greater importance as the novel proceeds, culminating in some shocking moments near the end of the book that hint that his role in the sequels will be very interesting indeed. The opposing characters, such as Klaus and his River Tam-like sister Gretel, are also intriguing characters, although the way Tregillis handles Gretel's potentially tension-destroying prescience (by making her a whimsical fruitcake who sometimes lets the Nazis lose battles due to the callings of A Higher Plan) seems to be dramatically unsatisfying, with Gretel working as a constant deus ex machina-in-residence, who may or may not defeat our heroes' plans at the whim of the author.
Elsewhere, Tregillis has done his homework, with WWII Britain described in convincing detail and atmosphere, even if the book's (relatively) slim page count means that some elements need to be skipped or drawn only in broad strokes. His alteration of history is well-conceived but is a little inconsistent: at first it appears that the Nazi superhumans will be providing explanations for real oddities in the war (like the ease with which the German armoured columns passed through the supposedly impenetrable Ardennes Forest), but later the outcome and course of the war shifts very dramatically away from the historical, and in fact becomes credence-stretching by the time we get to the end of the novel. This is fair in that it reflects the tone and plot of the novel, as supernatural forces become increasingly prevalent in their impact on the world, but those who prefer their alt-history to be more closely tied to real events may be underwhelmed as the book deviates radically from established history by the end.
Tregillis has a nice way with words, particularly in descriptive prose, but this is inconsistent. Nice, flowing prose is replaced by a more prosaic, infodump-heavy mode with little forewarning, increasingly favouring the latter as the novel progresses. This is disappointing as Tregellis' writing is what lifts the book above more plot-driven WWII alt-histories by the likes of Harry Turtledove and John Birmingham, but as the book continues to unfold his prose becomes more ordinary and less engaging.
All of that said, the book is short, fast-paced and, for all its faults, remains something of a page-turner. It is the finely-judged character interrelationships, particularly the increasingly tense friendship between Raybould and Will and the fraught sibling relationship of Klaus and Gretel, which defines the novel and leaves the reader eager to read on into the next novel.
Bitter Seeds (***�) fails to live up to its full potential, but remains an effective and readable debut novel. It is available now in the USA and on import in the UK.
14 of 17 people found the following review helpful.
entertaining action-packed alternate historical thriller
By A Customer
Wanting to build a superman and superwoman, German scientist Dr. von Westarp chooses WWI German orphans as his base for his experiments. Although many die and others are deformed, by 1939 the mad scientist has succeed in constructing his master race. However as WW II breaks out, he plans to use them to insure The Third Reich is victorious and remains in power for a thousand years. However, one of the successful test subjects Klaus fears his sister Gretel is using her precognitive skills to manipulate the team, but what agenda is remains unclear.
Meanwhile British secret agent Raybould Marsh, who has his own father figure in Stephenson, knows first hand how powerful the enemy supervillains are as the German war machine blitzkriegs through all enemies. He enlists mage Will Beauclerk to help the British side, whose chances of victory seem slim. Will brings on allies from the warlock community including Olivia whom Marsh marries and has a daughter with her. When he ignores the warning not to deal with the mysterious Eidelons who will offer little and demand a lot, Will sees no other hope as the Germans are winning in the air, land and sea due to being the superpower.
Although the cast is never fully developed beyond comic book stereotypes, readers will enjoy this entertaining action-packed alternate historical thriller. With homage to Moore's Watchmen, fans of action-packed WWII dramas will appreciate the loaded Bitter Seeds as superpower German warriors battle the mages of Britain for control of the continent and ultimately the world.
Harriet Klausner
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