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The Psychology of Music Performance Anxiety, by Dianna Kenny
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Why are some performers exhilarated and energized about performing in public, while others feel a crushing sense of fear and dread, and experience public performance as an overwhelming challenge that must be endured? What are the factors that produce such vastly different performance experiences? Why have consummate artists like Frederic Chopin, Sergei Rachmaninoff, Pablo Cassals, Tatiana Troyanos, and Barbra Streisand experienced such intense music performance anxiety? This is a disorder that can affect musicians across a range of genres and of all standards. Some of the 'cures' musicians resort to can be harmful to their health and detrimental to their playing.
This is the first rigorous exposition of music performance anxiety. In this groundbreaking work, Dianna Kenny draws on a range of disciplines including psychology, philosophy, phenomenology, psychoanalysis, and performance theory in order to explain the many facets of music performance anxiety that have emerged in the empirical and clinical literature. She identifies some unifying guiding principles that will enhance our understanding of the condition and guide researchers and clinicians in the development of effective treatments. The book provides a detailed conceptual framework for the study of music performance anxiety and a review of the empirical and clinical research on the anxiety disorders. In addition it presents a thorough analysis of the concepts related to music performance anxiety, its epidemiology, and theories and therapies that may be useful in understanding and treating the condition. The voices of musicians are clearly heard throughout the book and in the final two chapters, we hear directly from musicians about how they experience it and what they do to manage it.
This book will lay a firm foundation for theorizing music performance anxiety and be of enormous value interest to those in the fields of music and music education, clinical psychology, and performance studies.
- Sales Rank: #716675 in Books
- Brand: Brand: Oxford University Press, USA
- Published on: 2011-10-01
- Released on: 2011-10-01
- Original language: English
- Number of items: 1
- Dimensions: 6.10" h x 1.00" w x 9.10" l, 1.25 pounds
- Binding: Paperback
- 400 pages
- Used Book in Good Condition
Review
"The book will have wide interdisciplinary appeal to performing musicians, educators, psychologists, and psychiatrists; the author who is Professor Psychology and Professor of Music at the University of Sydney, has distinguished herself with a career's worth of prolific research, including over 200 publications. Her studies in the areas of music psychology and performance anxiety demonstrate strong methodologies and a desire for robust scientific inquiry... This book is an outstanding contribution to the psychology and performance literature." - Susan Geffen, Editor, Clavier Companion
About the Author
Dianna Kenny is a Professor of Psychology and a Professor of Music at the University of Sydney, Australia. She was the Founding Director of the Australian Centre for Applied Research in Music Performance at the Sydney Conservatorium of Music, University of Sydney, a post she held for five years. Dianna is interested in interdisciplinary research and has combined her own disciplines of psychology and music to progress the scientific study of music performance anxiety. Dianna has published widely in both disciplines, and has over 200 books, edited books, book chapters, journal articles, monographs and commissioned reports.
Most helpful customer reviews
6 of 6 people found the following review helpful.
BEWARE! Enter the glamorous world of the classical musician at your own risk!
By bflatbeauty
Dr Kenny's impeccably researched study of performance anxiety amongst musicians reveals a world populated by some very tortured souls.
This is not your usual 'self-help' book and any reader expecting "the ten easy steps to..." approach should probably look elsewhere. Kenny makes extensive use of pre-existing clinical studies and literature - the bibliography runs to over 40 pages! She also details the results of her own extensive 'fieldwork' in the form of transcriptions of numerous interviews with mostly professional orchestral players. It is this rigorous combination of data that led me to the conclusion that this is the most comprehensive and exhaustive study of music performance anxiety published in the last decade.
As a professional musician, I found the last two chapters of the book the most interesting and valuable. The reader hears the musicians speaking freely about their struggles with performance anxiety and thankfully these raw and personal accounts offer many positive strategies for coping with its often debilitating effects. I doubt many of these hardened professionals would speak this frankly to their collegues, students or spouses about their everyday battles with the stress of performing in a profession generally viewed as glamourous and joyful.
I would highly recommend this book to all musicians(professionals and amateurs), psychologists, psychiatrists, teachers and parents. It unashamedly lifts the curtain on an unseen and sometimes distressing occupational hazard and identifies many of its causes. Most optimistically, Kenny has utilised the experiences of sufferers to help develop effective treatments to manage the condition. Hopefully, these strategies should help restore the "exhilarating opportunities and enjoyment that performing music affords".
2 of 2 people found the following review helpful.
Wow! Music performance anxiety explained
By Muse
What a timely and needed book on a subject about which very little scholarly light has shone! Dianna Kenny's book is excellent because it has wide appeal - to music researchers, psychologists, musicians and students. This book really explains for the first time the sometimes incomprehensible fears of talented and capable musicians. Kenny provides very comprehensive reviews of the nature of anxiety and performance anxiety (thus making the book very relevant not only to musicians but to psychologists as well) before honing in on the specific issues related to anxiety and music performance. The last two chapters speak directly to musicians in a very compelling way. We learn in the preface, in a passing comment, that Kenny herself suffered from severe music performance anxiety. Her first hand experience has given this first class academic the edge in researching this difficult topic and explaining it to others.
2 of 4 people found the following review helpful.
Page Numbers????!!
By Flutist
This is a great resource, but the kindle version does not include page numbers. That is extremely aggravating when writing papers that need the sources cited. Also, it is extremely tiresome to try and figure out the ratio of locations to page numbers, especially since there is not a code to go by. UGGGGHHHH!
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