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Among Ellison’s more famous stories, two consistently noted as his very best ever are the Hugo and Nebula Award–winning, postapocalyptic title story of this collection of seven shorts and the volume’s concluding story, the Nebula Award finalist “Pretty Maggie Moneyeyes.” Since Ellison himself strongly resists categorization of his work, we will not call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are utterly unique. They could only have been written by the great Harlan Ellison, and they are incomparably original.
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- Sales Rank: #31598 in Books
- Published on: 2014-06-03
- Released on: 2014-06-03
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .38" w x 5.51" l, .48 pounds
- Binding: Paperback
- 162 pages
Review
''Harlan Ellison is arguably the finest short story writer in science fiction today, and this collection includes some of his best (certainly his most popular) work. His writings are mature, intense, and deeply affecting . . . Ellison, an Audie winner for narration, skillfully reads all of the stories himself, providing the boundless energy that makes this collection a complete success.'' --AudioFile
About the Author
Harlan Ellison has been called “one of the great living American short story writers” by the Washington Post. In a career spanning more than fifty years, he has won more awards than any other living fantasist. Ellison has written or edited one hundred fourteen books; more than seventeen hundred stories, essays, articles, and newspaper columns; two dozen teleplays; and a dozen motion pictures. He has won the Hugo Award eight and a half times (shared once); the Nebula Award three times; the Bram Stoker Award, presented by the Horror Writers Association, five times (including the Lifetime Achievement Award in 1996); the Edgar Award of the Mystery Writers of America twice; the Georges Melies Fantasy Film Award twice; and two Audie Awards (for the best in audio recordings); and he was awarded the Silver Pen for Journalism by PEN, the international writers’ union. He was presented with the first Living Legend Award by the International Horror Critics at the 1995 World Horror Convention. Ellison is the only author in Hollywood ever to win the Writers Guild of America award for Outstanding Teleplay (solo work) four times, most recently for “Paladin of the Lost Hour,” his Twilight Zone episode that was Danny Kaye’s final role, in 1987. In 2006, Ellison was awarded the prestigious title of Grand Master by the Science Fiction and Fantasy Writers of America. Dreams With Sharp Teeth, the documentary chronicling his life and works, was released on DVD in May 2009.
From AudioFile
Harlan Ellison is arguably the finest short story writer in science fiction today, and this collection includes some of his best (certainly his most popular) work. His writings are mature, intense, and deeply affecting. The first two stories are probably the ones he's most famous for --"I Have No Mouth and I Must Scream" (a horrifying story about people trapped inside a computer) and "'Repent, Harlequin!' Said the Ticktockman" (a parable of society's dependence on the clock). Ellison, an Audie winner for narration, skillfully reads all of the stories himself, providing the boundless energy that makes this collection a complete success. S.D. � AudioFile 2003, Portland, Maine-- Copyright � AudioFile, Portland, Maine
Most helpful customer reviews
10 of 10 people found the following review helpful.
7 Sci-fi stories by Harlan Ellison
By Bernie Gourley
This collection of short fiction by Harlan Ellison consists of only seven stories. It was originally published in the late 1960’s and a second edition was released in 1983—the latter being the edition I read. Despite a bit of Cold War zeitgeist--most notably in the title story—this collection holds up well to time.
I’ll proceed by discussing each of the seven stories.
1.) “I Have No Mouth & I Must Scream”: It’s after World War III, the Soviets, Americans, and Chinese had built artificial intelligences (AIs) to help prosecute the war. The AIs ganged up against humanity and exterminated all humans—excepting five individuals (4 men and 1 woman.) The AI finds a way to indefinitely extend the lives of the five so that it can keep its playthings around. The AI is kind of like a sadistic child with an ant farm. The story is told from the perspective of one of the five remaining humans.
2.) “Big Sam Was My Friend”: A folksy narrator tells the tale of how a fellow interstellar circus performer met his ends. The deceased, Big Sam, was capable of teleportation, like the character Nightcrawler (Kurt Wagner) in the X-men. Ellison does an excellent job of creating a unique character and tone in this story.
3.) “Eyes of Dust”: On a planet of beautiful people, there remains a family of uggos--and the child is the ugliest of all. However, ugliness isn’t the boy’s only unique trait. This is one of the weaker stories of the collection in my opinion, but it’s not bad.
4.) “World of The Myth”: The three-person crew of a spaceship crashes on an unfamiliar planet. The planet is inhabited by ant-like creatures that can form complex shapes, and through such displays the creatures can reflect the essence of who a person is back at them. This proves more than the despicable captain of the small crew can bear.
5.) “Lonelyache”: This story is more realism than speculative fiction—or at least I interpreted it that way. It’s about a guy who’s gone through a divorce recently, and is living alone. The story intersperses recurringly-themed dreams in which men are trying to kill the lead character, with waking sequences which revolve around the man’s troubled relationships with women.
6.) “Delusion For a Dragon Slayer”: In the Introduction, we are told by Theodore Sturgeon that the description in this story is very much how people on hallucinogens experience the world. I can see what Sturgeon is saying. The story begins with a series of vignettes about people who died for no logical reason and at the least likely times. The story then tells an extended tale of one such death, that of the lead character, in a way that mixes dream and reality in a way that’s hard to differentiate.
7.) “Pretty Maggie Moneyeyes”: A man in Las Vegas hits the jackpot on a slot machine. He feels compelled to engage in the very sucker-like behavior of playing the same machine again, but he wins again and then keeps winning. The casino obviously suspects foul play with the second jackpot, but they can’t find anything wrong with the machine or any way in which the man might be cheating. All their investigation reveals is that a woman had died playing that machine some time before.
I’d recommend this book for those who like short speculative fiction. The best of the stories are outstanding, and the worst of them are still intriguing and readable. I will say that it’s not a collection for readers with delicate sensibilities--including young readers. (e.g. Rape is a theme that repeats in a couple of stories.)
4 of 4 people found the following review helpful.
Like catching up with old friends!
By Dave Carver
I first found Harlan Ellison in my teens. I don't know that I understood all he wrote but I liked it! I've moved many times but his books have always made the trip. Entire book shelf has nothing but Ellison. Now that my hands don't work as well I am gradually filling up my Kindle with his stories.
This book is full of brilliant stories. If you haven't read them before buy this book now. If you've read them before a return trip always reveals more.
4 of 4 people found the following review helpful.
Wonderful
By michael k harlan
Harlan Ellison has never failed to excite and disgust and scare the crap out of me. Sometimes all in one story. He is always a fantastic read and never disappoints. This was certainly no exception
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